Get premium, high resolution news photos at Getty Images Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman, caricaturist and illustrator whose immersion in the colorful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the modern, sometimes decadent, affairs of those times. Panel for La Goulue's Booth at the Foire du Trône, Paris. He was both a ‘brother’ to the artists and the man in the shadows who watched over the dancers and the rest of the personnel with a benevolent eye and ruled with an iron fist. . Later, she was a dancer in a traveling show, then a laundress, "then she became nothing," writes Flanner, as her final years were spent in an alcoholic daze on the Paris streets. Oller, a good sport, closed the doors of the establishment for the first time ever so that the dancers could accompany him one last time as he went to his final resting place. Valentin la Desossee was the stage name of Jaques Renaudin who it is thought held down a full-time day job but danced at the Moulin Rouge at night. In 1954, she was billed at the Moulin Rouge for 4 months, entirely sold out! The dance hall Moulin Rouge had opened in October 1889 and proved a popular haunt among the city’s demimonde. Born Louise Weber in 1869; died in Paris in 1929; daughter of a cab driver.The comely daughter of a cab driver, Louise Weber rose from obscurity to become La Goulue (Greedy Gal), celebrated cancan dancer at the famous Moulin Rouge and one of Paris' last great courtesans. He disappeared suddenly one day without a trace, and no one has ever found out what became of him. Louise Weber, alias La Goulue (The Glutton), got her nickname in her adolescence when she would empty customers’ glasses while dancing in cabarets. Sadly, her glittering lifestyle was not an easy one to sustain. Encyclopedias almanacs transcripts and maps, Women in World History: A Biographical Encyclopedia. LA GOULUE born Louise Joséphine WEBER French can-can dancer. She wholeheartedly embraced a career which she pursues to this day with talent and dedication. UNSPECIFIED - OCTOBER 21: Louise Weber (1870-1929) said La Goulue dancer of French cancan in Paris and modele of ToulouseLautrec (Photo by Apic/Getty Images) Embed They married in 1950, and she would never stop loving him for the rest of her life, even after his death in 1995. Women in World History: A Biographical Encyclopedia. Can-can dancer from the Sans Souci shows off her frilly 'drawers'. La Goulue Jean-François Raffaëlli.jpg 2,358 × 3,082; 8.6 MB La Goulue tombe.jpg 1,760 × 2,640; 746 KB La Goulue y Valentin le Désossé bailando en … Hahn, Reynaldo She had a happy childhood, pampered by her parents, who considered her to be ‘the family jewel. The appearance of the poster Moulin Rouge: La Goulue on the Parisian streets in 1891 established the reputation of Henri de Toulouse-Lautrec in the French art world. Jean Denoyer, 79, is the owner and vision behind La Goulue. He was born into a noble family, but lived for most of his life among the actors, dancers and prostitutes of Paris.He is famous for painting the lives of these people, the entertainment of Paris, and many portraits.. When the Moulin Rouge arrived on the scene he attended the show every evening, drawing the dancers and customers from the corner of a table, accompanied by his eternal glass of absinthe! He was a dancer who, according to legend, danced more than 39,962 waltzes, 27,220 quadrilles, 14,966 polkas and mazurkas and 1000 lanciers, for a total of 83,112 performances on the stage of the Moulin Rouge! It was in these cafés that he met his muse, La Goulue. In her heyday, La Goulue captured the imagination of Henri de Toulouse-Lautrec, who made her the subject of some of his most famous cabaret posters. Born: Aubagne, near Marseilles, 25 (or 28) February 1895. Henri de Toulouse-Lautrec, French artist, 1864-1901. However, the date of retrieval is often important. Joseph Oller created the Moulin Rouge. The poster Moulin Rouge: La Goulue was executed by Henri de Toulouse-Lautrec, a French caricaturist, draughtsman, printmaker and painter. The son of a notary clerk, Valentin was ‘high class,’ as his quadrille partner, La Goulue, used to say. Find more prominent pieces of sketch and study at Wikiart.org – best visual art database. This artistic duo would profoundly change the world of show business, and together, on the stage of the Moulin Rouge, they would begin the legend of Music Hall. What was all the fuss about? Pick a style below, and copy the text for your bibliography. La Goulue and Valentin la Desossee dancing at the Moulin Rouge. Why ‘la Goulue’? . Find more prominent pieces of genre painting at Wikiart.org – best visual art database. Louise Weber (13 July 1866, Alsace-Lorraine – 30 January 1929) was a French can-can dancer who performed under the stage name of La Goulue ("the glutton"). ." She was the cancan soloist and the only one with the right to wear coloured petticoats, but behind her apparent exuberance, which would earn her the nickname of ‘Crazy Jane’, or ‘Melinite’ (an explosive), Jane Avril was a refined woman about whom it was said that ‘she was a schoolmistress who had fallen in with a rowdy crowd’. Born Louise Weber in 1869; died in Paris in 1929; daughter of a cab driver.The comely daughter of a cab driver, Louise Weber rose from obscurity to become La Goulue (Greedy Gal), celebrated cancan dancer at the famous Moulin Rouge and one of Paris' last great courtesans. So she took Yves Montand under her wing and introduced him to the authors and important people of the world of show business so he could find his style! Denver Belly Dance: Denver Belly Dance Classes and Belly Dancing Workshops with Rafi'ah. Women in World History: A Biographical Encyclopedia. Half English/half French, Denoyer came to New York from Paris in 1965. She was the daughter of a contortionist and a street singer. Dance at the Moulin-Rouge, La Goulue and Valentin le Désossé (left panel) commemorates the devilish acrobatic dances that brought fame to the dancer and her partner in the past. Henri de Toulouse-Lautrec, French artist, 1864-1901. Encyclopedia.com. French cancan dancer at the Moulin Rouge who served as a model for artist Toulouse-Lautrec. When not performing, La Goulue had rooms at a fashionable private hotel on the Avenue du Bois, once inhabited by her famous predecessor, Païva , mistress of Napoleon III. Therefore, that information is unavailable for most Encyclopedia.com content. ." Lautrec, a victim from infancy of a disease that punished his bones day and night and arrested the growth of his legs, making him short and deformed, found relief in the cafés of Montmartre! A performance by the two of a pantomime called ‘Egyptian Dream’, quite avant-garde for the time, finished to the boos of an outraged public. The story has it that one evening when she was dancing a frenetic cancan, between two cartwheels she spotted the Prince of Wales, who had come to spend an evening on his own at the Moulin Rouge, and called out, with the Parisian cheek for which she was well-known: ‘Hey, Wales! He is one of the few people who could boast: ‘I am the only artist who doesn’t pay royalties!’. She saw in him a genuine future Music-Hall star. Louise Weber (1866-1929) was 'La Goulue', the famed cancan dancer of Le Moulin Rouge, and the highest-paid performer of her day and immortalized by Henri de Toulouse-Lautrec. "Goulue, La (1869–1929) The comely daughter of a cab driver, Louise Weber rose from obscurity to become La Goulue (Greedy Gal), celebrated cancan dancer at the famous Moulin Rouge and one of Paris' last great courtesans. La Goulue Biography French entertainer, a cabaret singer and can-can dancer, born as Louise Weber was born into a Jewish family from Alsace, immortalized in a portrait painted by Henri Toulouse-Lautrec called "La Goulue." "It was here," writes Janet Flanner , "that La Goulue was invited to dance before a gentleman who afterward literally covered her with banknotes and turned out to be the Grand Duke Alexis. A study in three parts; "The Dancer", "The Venue", and "The Poster" 1. ", La Goulue's downfall began with a jail sentence for some unnamed crime, after which she became a lion-tamer in a street fair. Weber became known as La Goulue because as an adolescent, she was known for guzzling cabaret patrons' drinks while dancing. La Goulue was also known for not mincing words, which was not appreciated by all her cancan partners, and which cave rise to spats with the ‘very distinguished’ Jane Avril. He wanted to be train driver and tame those great iron horses. Moulin Rouge, La Goulue is also a group portrait of Paris’s famed demimonde, the society of fringe celebrities whose various members, such as the dancer Jane Avril, the hostess Misia Natanson, and man-about-town William Warrener (all subjects in Toulouse-Lautrec’s other work), are identifiable, even as silhouettes, by their distinctive hats. 1900. Then, copy and paste the text into your bibliography or works cited list. As soon as her family moved to Clichy, a working-class suburb of Paris, Louise started frequenting ballrooms and cabarets, while working like her mother as a laundress. Henri de Toulouse-Lautrec, born in Albi, a small village in the south of France, was in love with Montmartre. [4] The can-can was a high-energy, physically demanding dance, considered scandalous and extremely inappropriate by respectable society, with dancers flaunting the extravagant undergarments and contrasting black stockings of the time. 13 Jan. 2021 . A long kiss between the two artistes…, 82, Bd de Clichy (January 13, 2021). PAGNOL, Marcel 1895. Under the decision of the French Government, the Moulin Rouge suspends all performances from Friday 13th March until further notice. Name: LA GOULUE Sire: Danehill Dancer Dam: Yes She Can Cancan (AUS) Source : Marie Therese BROMBACHER-PANCHOUT. NY: Viking, 1972. ‘Booth of La Goulue at the Foire du Trone (The Moorish Dance)’ was created in 1895 by Henri de Toulouse-Lautrec in Post-Impressionism style. Moulin Rouge: La Goulue is a poster by French artist Henri de Toulouse-Lautrec.It is a colour lithograph from 1891, probably printed in about 3,000 copies, advertising the famous dancers La Goulue and "No-Bones" Valentin, and the new Paris dance hall Moulin Rouge. Nationality: French. Relegated today to the status of a classic Paris attraction, the French cancan was at the time a strikingly liberating dance, made famous by stars like La Goulue, immortalized by Toulouse-Lautrec in this advertising poster for the theater. As a child, Jean only dreamed of one thing: trains! Weber became known as La Goulue (the glutton) because, as an adolescent, she was known for guzzling cabaret patrons’ drinks while dancing. miliar dancer whom Joyant knew and failed to identify in the Art Institute painting is the woman seen in profile near La Goulue in the background, and easily recog-nized as La Mome Fromage, so closely associated with La Goulue as to be called her sister by Joyant in the painting of La Goulue entering the Moulin Rouge (see fig. In a tipsy interview for the weekly Vu, she recalled her son who died in a gambling den and her affair with the Grand Duke Alexis. In any case, to begin with, I didn’t know what the name meant; for all I knew it was the name of a cabaret. He painted Montmartre, the cancan and the Moulin Rouge and, thanks to his canvasses, enabled a whole village to experience immortality! La Goulue was the stage name of Moulin Rouge dancer Louise Weber. Education: Lycée Thiers, Marseilles; Uni…, Hahn, Reynaldo Lautrec and the dancer Louise Weber [La Goulue] in the Moulin de la Galette which was a popular cafe and dance hall in the late 1800s. Louise Weber, called La Goulue , French cancan dancer. "Goulue, La (1869–1929) He was a dancer who, according to legend, danced more than 39,962 waltzes, 27,220 quadrilles, 14,966 polkas and mazurkas and 1000 lanciers, for a total of 83,112 performances on the stage of the Moulin Rouge! She was dubbed 'La Goulue' (The Glutton) for her habit of downing the drinks off tables as she danced past. Her dance partner in the top hat is Valentin le Déssossé (‘Valentin the Boneless’), so called because of his supple moves. Edith got her break on a street corner when she was noticed by Louis Leplée, who gave her the name of ‘Môme Piaf’ (the Sparrow Kid). Therefore, be sure to refer to those guidelines when editing your bibliography or works cited list. Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.com cannot guarantee each citation it generates. where she was by turns a singer, dancer, MC, comedienne and TV presenter. One evening, the great American comic, Bob Hope, who was in the audience, was captivated by her talent and proposed that she become his partner in the US. The simplistic, yet enchanting style of the painter was a stark contrast to the typical text-heavy and dull posters during his time. Edith Giovanna Gassion was born on 19 December 1915 in the 20th arrondissement of Paris. Therefore, it’s best to use Encyclopedia.com citations as a starting point before checking the style against your school or publication’s requirements and the most-recent information available at these sites: http://www.chicagomanualofstyle.org/tools_citationguide.html. She was searching for a vocation and a stage name (she tried out Miss Helyett and Miss Tinguett) when one day she met Jacques-Charles, who was, so to speak, the ‘father of the modern revue,’ and everything changed. 75018 PARIS MONTMARTRE, All rights reserved © 2013 - Le Bal Du Moulin Rouge. So Jean Gabin began his stage career as an extra, which he spoke of, with the Parisian cheek for which he was known, as: ‘Playing lampposts in the distance.’ The Moulin Rouge is looking forward to welcoming you again and celebrate together the effervescent spirit of the Parisian party! Enjoy our show thanks to our hearing aid via Wi-Fi. Encyclopedia.com. Their audience is reduced to silhouettes in order to focus attention on the performers and evoke the Japanese art then in vogue. Moulin Rouge uses cookies on its website to improve its functionalities and performances. She initially worked as a … Hahn, Reynaldo, Venezuelan-born French conductor, music critic, and composer; b. Caracas, Aug. 9, 1874; d. Paris, Jan.…, Goulet, Robert (originally, Applebaum, Stanley), Goulem, Alain 1966- (Al Goulem, Allen Goulem), https://www.encyclopedia.com/women/encyclopedias-almanacs-transcripts-and-maps/goulue-la-1869-1929. An audacious perfectionist, his ambition was to create ‘the biggest and most beautiful of cabarets; a temple dedicated to Woman, the Dance and the Cancan.’ It was a bet that paid off for this businessman bursting with ideas, who was willing to risk everything by opening the Moulin Rouge on the specific date of 6 October 1889 at 8.00pm on the dot, even when the extensive works that he had undertaken were not yet completely finished. He stayed at Joseph Oller’s side for almost three years before leaving the cabaret due to, as rumour had it, ‘management problems’ and ‘conflicts between personnel and artists due to the temperament of the director.’ An official communiqué from the cabaret’s management at Place Blanche mentioned ‘health problems’. Born Louise Weber in 1869; died in Paris in 1929; daughter of a cab driver. He had previously taught physics and chemistry in the collège of hi…, Baker, Josephine 1906–1975 Bachelard became a philosopher late in life. But this doesn’t detract from her title of ‘Queen of the Cancan’, and she remains the symbol of the quadrille and Parisian sensuality. It was only later, while I was doing some research on la Belle Époque, that I realised how wrong I was – “Ah, La Goulue is a dancer!” Soon after, I learnt the origin of the name. The Moulin Rouge's outdoor theatre, featuring its stucco elephant. The woman kicking her leg in the air is La Goulue (‘Glutton’), a celebrated cancan dancer who owed her nickname to the gusto with which she approached everything, from eating and drinking to dancing. Sidonie Gabrielle Colette was born on 28 January 1873, the daughter of Sidonie Landoy and Captain Colette. Refer to each style’s convention regarding the best way to format page numbers and retrieval dates. She began her career singing the compositions of Loulou Gasté. A concept which still rules at the Moulin Rouge! Paris Was Yesterday. By browsing our website, you expressly accept the use of cookies to facilitate your surfing and improve your user experience. The … Poster by Henri de Toulouse-Lautrec. ‘La Macarona in Riding Habit’ was created in 1893 by Henri de Toulouse-Lautrec in Post-Impressionism style. Encyclopedia.com gives you the ability to cite reference entries and articles according to common styles from the Modern Language Association (MLA), The Chicago Manual of Style, and the American Psychological Association (APA). The rise and fall of La Goulue (The Dancer). La Goulue was Louise Weber (13 July 1866, Clichy, Paris – 30 January 1929), a French can-can dancer.She was always known by her nickname. La Goulue and Valentin la Desossee. In La Goulue at the Moulin Rouge (1891–92), he depicts Louise Weber, a cancan dancer nicknamed, “The Glutton,” linking arms with two women at the Moulin Rouge. She also was referred to … The memory of this rubber man with the elongated silhouette is shrouded in mystery. The most famous depiction of the place is Renoir's 'Dance at the Moulin de la Galette' [1876]. La Goulue was an ambitious woman who was also famous for her skills as a can-can dancer. The magic was there from the first evening, the hall was packed, and the charm has never ceased to be present in this magical place, which has become one of the most prominent symbols of France and the most famous cabaret in the world! 1891 poster by Henri de Toulouse-Lautrec. It came from her habit of picking up a customer's glass and drinking it while dancing past the table. © 2019 Encyclopedia.com | All rights reserved. Ca. He spent long hours watching them at the village station, to the great displeasure of his father, who only dreamed of one thing: an artistic career for his son. He also painted some show curtains for her, which, left in a barn to rot, were later found, cut into salable sections and sold to the Louvre. La Goulue was the stage name of Moulin Rouge dancer Louise Weber. To the rear are the top representatives of this nocturnal life, including Jane Avril in the feathered hat. "Once La Goulue or 'the glutton' (Louise Weber, 1870-1929) was the most outrageous dancer of the day, her name synonymous with the Moulin Rouge nightclub. He danced at the Moulin Rouge for his own pleasure, and his behaviour was as straight as his figure: he never accepted a single cent for appearing in the show that le tout Paris flocked to see. At Palm Beach’s La Goulue, a rear alcove and the men’s and women’s bathrooms herald murals of cancan dancers and other habitues of Le Moulin Rouge. Follow us on social media and subscribe to our newsletter to stay informed with our latest news. La Goulue is French slang for 'greedy guts'. Josephine Baker is remembered principally as a spirited entertainer, the glamorous “Joséphine” who became the toast of Fra…, Crespin, Régine Most online reference entries and articles do not have page numbers. This woman with the piercing blue eyes came from a small town in the north of France. philosophy of science, epistemology. Jane Avril was the toughest rival of La Goulue, with whom she constantly vied for the status of star! The stark white of her petticoats, depicted with just a few lines o… Charles Zidler was a showman who joined the Moulin Rouge in 1889 to help Oller out. Henri de Toulouse-Lautrec, (24 November 1864 – 9 September 1901) was a French painter of the Post-Impressionist period. As a child, little Edith accompanied her father on the streets and sang while he did his act. The Champagne’s on you? Line Renaud appeared in theatres in France and internationally (New-York, Los Angeles, Las Vegas, etc.) He was in fact ill, and died on 12 November 1897. It's a colour lithograph produced in 1891, probably printed in around 3,000 copies; it advertises the famous dancers No-Bones Valentin and La Goulue, plus Moulin Rouge, a cabaret located in new Paris. It was on the stage of the Moulin Rouge that Jean Gabin was revealed to the public alongside Mistinguett, who hired him for his resemblance to Maurice Chevalier (who she simply couldn’t forget) in the review ‘Paris qui tourne’! Despite the venue’s seedy reputation, a number of its entertainers, including La Goulue and the dancer Jane Avril, also performed at more mainstream theatrical venues; so while the Pontevedrians would have shunned the Moulin Rouge, they may have glimpsed its stars at other venues. While the young man was absorbed in the contemplation of the formidable backstage machinery, his father approached the stage manager and asked him to try his son out as an extra because ‘he wanted to be in the theatre. The following day, the Chief of Police in person threatened to close the cabaret if the ‘Egyptian Dream’ was performed again. In her confident gaze, Lautrec captures the unabashed brazenness of female performers in modern café life. Valentin la Desossee was the stage name of Jaques Renaudin who it is thought held down a … The son of a notary clerk, Valentin was ‘high class,’ as his quadrille partner, La Goulue, used to say. So she took Yves Montand under her wing and introduced him to the authors and important people of the world of show business so he could find his style! And what exactly was the secret of his success? The poster Moulin Rouge: La Goulue was executed by Henri de Toulouse-Lautrec, a French caricaturist, draughtsman, printmaker and painter. Renoir also painted 'The swing' here in 1876. He was a musician with an unusual talent who owed his renown, according to legend, to an anatomical peculiarity which remains a secret to this day. An experienced novelist, Colette began her career in Music Hall in 1906 and performed on the stage of the Moulin Rouge alongside her friend Missy, aka the Marquise de Morny. La Goulue, the stage name of Louise Weber (1866 – 1929), was the most successful can-can dancer of her time. ." Women in World History: A Biographical Encyclopedia. The triple repetition of the club's name draws the focus down to the central figure of the poster, La Goulue herself. In 1891, he drew the first advertising poster for the Moulin Rouge, which today remains the best known image of the Moulin Rouge around the world. To find out about your booking, please reach out to our tickets office, reservation@moulinrouge.fr It paid off when you look at the career of this great man, who has been, by turns, a singer, dancer and actor. It's a colour lithograph produced in 1891, probably printed in around 3,000 copies; it advertises the famous dancers No-Bones Valentin and La Goulue, plus Moulin Rouge, a cabaret located in new Paris. This artwork was used to advertise Moulin Rouge, which was one of the most popular clubs in France. Following on radically from his lithography work, deployed in the form of posters in the street, Toulouse-Lautrec accepted a commission to do two monumental decorative panels for La Goulue, a well-known cabaret dancer who was wishing to perform in a booth set up at the Foire du Trone. She also fell in love with him, although he was 20 years her senior. Louise Weber (1870-1929) said La Goulue dancer of French cancan in Paris and modele of ToulouseLautrec. The Grande Dame of French song immediately fell under the spell of this dark, good-looking Italian, in spite of his peculiar look: chequered jacket, unruly hair and western repertoire. Her last appearance was in a documentary film about the rag-pickers of Paris, called The Zone, in which she danced drunkenly. Jeanne Florentine Bourgeois, born in Enghien-les-Bains, on the outskirts of Paris, was the daughter of a labourer and a seamstress. Cite this article Pick a style below, and copy the text for your bibliography. Goulue, La (1869–1929)French cancan dancer at the Moulin Rouge who served as a model for artist Toulouse-Lautrec. In addition to the MLA, Chicago, and APA styles, your school, university, publication, or institution may have its own requirements for citations. He was a privileged witness to the life of the Moulin Rouge, since he was the pet of the cancan dancers, who dubbed him ‘the little guy!’. La Goulue was the stage name of Moulin Rouge dancer Louise Weber. His first venture was a … A few weeks later, she died alone and destitute in a city clinic, "murmuring, as if declining a last and eternal invitation," writes Flanner, "'I do not want to go to hell.'". . Producing discordant sounds with only the help of a basin of water and his… derriere, playing astonishing melodies that gave rise to general hilarity at every note! French Cancan With La Sauterelle, Nini Pattes En L'Air, La Goulue, Mome Fromage And Grille D'Egout At The Moulin Rouge. La Goulue, was the stage name of Louise Weber, a French can-can dancer who was a star of the Moulin Rouge, a popular cabaret in the Pigalle district of Paris, near Montmartre. ‘Mon légionnaire’, ‘L’hymne à l’amour’, Milord’ and ‘La vie en rose’ are songs which will forever remain in the mind and hearts of generations the world over. Passionate about the dance from an early age, she strutted her stuff in dance halls until Monsieur Oller decided to hire her for the Grand Quadrille. The museum reassembled and restored them for exhibition. Retrieved January 13, 2021 from Encyclopedia.com: https://www.encyclopedia.com/women/encyclopedias-almanacs-transcripts-and-maps/goulue-la-1869-1929. Moulin Rouge: La Goulue by Toulouse-Lautrec is a captivating, four-color lithograph that features La Goulue, a renowned cancan dancer with her partner. Starting in 1907, Mistinguette dropped the final ‘e’ and became Mistinguett ‘the woman with the divine legs.’ They performed the Apache Dance together with Max Dearly in 1909 and then created spectacular revues one after another for almost 30 years, with feathers, tinsel, glitter and chorus girls and boys. She studied pharmacology, and then b…, La Salle •Al, bacchanal, cabal, canal, Chagall, Chantal, chaparral, gal, grand mal, Guadalcanál, Hal, La Salle, mall, Natal, pal, pall-mall, petit ma…, Pagnol, Marcel Crespin, Régine , outstanding French soprano, later mezzo-soprano; b. Marseilles, Feb. 23, 1927. Flanner, Janet. Goulue, La (1869–1929)French cancan dancer at the Moulin Rouge who served as a model for artist Toulouse-Lautrec. Within the “Cite this article” tool, pick a style to see how all available information looks when formatted according to that style. Employing an ingenious stratagem, Jean Gabin’s father dragged him along to the Folies-Bergères pretending that he had an invitation to a show. Monsieur Pujol was hired after an audition with Charles Zidler and became the signature attraction at the beginnings of the Moulin Rouge. Toulouse-Lautrec, La Dance au Moulin Rouge, also says La Goulue and Valentin le boneless, sign for the Goulue baraque, at the Fair of the Throne in Paris, 1895, oil on canvas, Paris, museum of Orsay La Goulue, born in Alsace in 1866 as Louise Weber, had inherited a passion for dancing from her mother, a laundress. She took flight little by little in French cabaret until she eventually arrived on stage at the Moulin Rouge in the spring of 1944, where she fell in love with Yves Montand, who she would later propel to fame. It was a few days before the liberation that the handsome ‘Zazous’ arrived at the Moulin Rouge to open for the great Edith Piaf. https://www.encyclopedia.com/women/encyclopedias-almanacs-transcripts-and-maps/goulue-la-1869-1929, "Goulue, La (1869–1929) Take care of yourself and your loved ones! Moulin Rouge: La Goulue is a bold, four-color lithograph depicting the famous cancandancer La Goulue and her flexible partner Valentin le désossé made to advertise the popular French club, Moulin Rouge. Was executed by Henri de Toulouse-Lautrec, born in Enghien-les-Bains, on the performers and the. 1954, she was by turns a singer, dancer, MC, comedienne and TV.! Here in 1876 near Marseilles, la goulue dancer ( or 28 ) February 1895 more pieces... 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